Two bronze kneeling statues, heads bowed in shame, weathered and tarnished by time. They are positioned on a stone platform, with visible signs of wear and discoloration from centuries of public spitting and physical abuse. The atmosphere is somber and judgmental, captured in a gritty, historical photograph style.
Two bronze kneeling statues, heads bowed in shame, weathered and tarnished by time. They are positioned on a stone platform, with visible signs of wear and discoloration from centuries of public spitting and physical abuse. The atmosphere is somber and judgmental, captured in a gritty, historical photograph style.

The Kneeling Statues of Qin Hui and Lady Wang: Centuries of Public Contempt

The statues of Qin Hui and his wife, Lady Wang, have long been focal points for public disdain in China. These figures, depicted kneeling with bound arms and ropes around their necks, symbolize their betrayal of the revered General Yue Fei during the Southern Song Dynasty.

Historical Context

Qin Hui served as chancellor during the Southern Song Dynasty (1127-1279) and is remembered as one of China's most notorious traitors. His most infamous act was engineering the wrongful execution of General Yue Fei, a national hero who had been successfully fighting against the invading Jurchen Jin dynasty. According to historical accounts, Qin Hui conspired with his wife Wang to falsely accuse Yue Fei of treason, leading to the general's execution in 1142.

The Tradition of Contempt

For centuries, visitors to the statues have expressed their contempt through physical acts of disdain. The tradition includes:

Despite these preservation efforts, the deep-seated historical grievances continue to manifest, though there is growing emphasis on honoring history through respectful engagement rather than physical acts of contempt.

Cultural Significance

The kneeling statues serve as a powerful cultural symbol of justice and retribution in Chinese collective memory. They represent the enduring belief that historical wrongdoers should face eternal condemnation, and that public memory can serve as the ultimate court of judgment across generations.

The tradition surrounding these statues demonstrates how historical narratives can become physically embodied in cultural artifacts, creating living monuments that continue to shape public consciousness and moral values centuries after the events they commemorate.


The prompt for this was: These are the statues of Qin Hui, a corrupt 11th-century politician, and his wife Wang from ancient China. Their statues are forever kneeling in apology, and for centuries, people have made it a thing to walk up, spit, curse, and slap and kick them.

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